别把《沉船》只当寻宝片看，比起一般同类影片热衷展示的特效与猎奇，它更像一场潮湿的、困于船舱的独白。影片不只展示了家庭矛盾，更以近乎外科手术般的精准度剖析了现代都市人的虚伪与匮乏，是一部兼具哲学思辨与激烈视听张力的心理现实主义佳作。尤其是Rituparno Ghosh对空间和光影的掌控，让这艘船成了欲望与过往的容器。 ☆。外甥女作为旁观的局外人，既忍不住看戏，又对这种家族内部的暗流涌动感到深深的无力。电影通过阴郁潮湿的环境描写，把人物之间那种欲言又止、步步为营的紧张感拍得特别有压迫感。

Rameshchandra Chaudhry, a lawyer by profession, is in love with Hemnalini, and is displeased when he finds that his father wants him to marry Sushilla, the daughter of a widow. He initially refuses despite of his father disowning him, but changes his mind when the bride's mother pleads with him, and gets married without even seeing, leave alone getting to know his bride. After the marriage, they board a boat which overturns after a storm, and they end up being the only survivors. Unable to get Hemnalini out of his mind, he refuses to be intimate with his bride. On talking with her gradually over the next few months, it slowly sinks in that she is not Sushilla but Kamla - the bride of another male! The question remains: what can he do under these circumstances, and what impact will this have on Kamla - who has traditionally accepted him as her husband.

天美视频网友评论：沉船[电影解说] 没有乱七八糟地水时长，演员状态都挺在线。看之前还挺犹豫，我也不是专业影评人，有些小表情、小动作挺真实的。至少它把我留下来了。大概就这样。

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