这部纪录片简直是艺术史的“烧脑”解说,特里斯坦·加勒特的旁白带着点英国冷幽默,一针见血又充满悬念,把文艺复兴讲得像侦探剧一样过瘾。Waldemar Januszczak化身最八卦的导游,画风犀利又幽默,把那些“高冷”的西洋古董聊得像隔壁邻居的八卦,绝对打破你对艺术片的刻板印象。片中涵盖神话、信仰与人文主义萌芽,能让观众看到一个活灵活现、充满人性光辉的“三巨头”时代。对于西方艺术毫无概念的“小白”来说,这绝对是一部入坑神作。艺术爱好者绝对不能错过,看老外怎么用最野的解读,把“高雅”的文艺复兴变成一场狂欢。如果你也是个爱看有趣科普的“美剧脑”,或者对欧洲历史有点好奇,千万别错过这档不仅长知识还能让你乐到拍大腿的节目。
According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
相关搜索:
第二次文艺复兴文艺复兴的实质文艺复兴是什么主义文艺复兴的四个特征文艺复兴采用什么方式